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FWD cdmc
Nº40 - 08/10/2010 CENTRO
DE DOCUMENTAÇÃO DE MÚSICA CONTEMPORÂNEA CDMC
- CIDDIC Acesse nosso site : www.unicamp.br/ciddic 1 -CONCURSO : Jeunesses International FLUTE
Competition 2011 2 -DIVULGAÇÃO : IRCAM - Programs in Composition and Computer
Music 3 -DIVULGAÇÃO : ABERTAS AS INSCRIÇÕES PARA 3º DIA
PERCUSSIVO 4 -DIVULGAÇÃO : Festival L'Espace du Son, Bruxelles,
20->24/10/10 5 -DIVULGAÇÃO : Festival di Nuova Musica -
Contemporanea 2010 6 -DIVULGAÇÃO : Festival Música nas Montanhas -
Poços de Caldas 7 -DIVULGAÇÃO : Curso Jogos e Brincadeiras Musicais
- Módulos I e II 8 -DIVULGAÇÃO : Lançamento do CD "Música
Brasileira Contemporânea Vol. 3 9 -NEWS : Nieuwsbulletin autumn 2010 MCN Classical
and Contemporary department 10 -NEWS : Mica - music austria Newsletter 12.
Ausgabe, Oktober 2010 11 -NEWS : [la lettre d'information du GRM] octobre
2010 12 -NEWS : Now on NewMusicBox: Henry Threadgill,
Mary Halvorson, and more! 13 -NEWS : Boletín de Prensa del CMMAS 14 -NEWS : Musical America Weekly Newsletter 15 -NEWS : Now and soon in New York and the world 16 -CONCERTO : Música de câmara no Centro Cultura
Musical de Campos 17 -CONCERTO : Orquestra Sinfônica Municipal de
Campinas - Concerto Oficial: 9 e 10 out 18 -CONCERTO :
Violino, vozes e Orquestra para Haydn
e Mozart 19 -CONCERTO : Ópera no Cine Leblon 20 -CONCERTO : Quinze Miniaturas para Dottori 21 -CONCERTO : Antonio Meneses se apresenta com OSB
dia 8 de outubro 22 -CONCERTO : Le Bulletin Web de l'OSM - Edition
octobre 2010-2011 23 -CONCERTO : Núcleo Música Nueva de Montevideo, 24 -CONCERTO : OSB - Programação Novembro ____________________________________________________ ____________________________________________ 1 - CONCURSO : Jeunesses International FLUTE Competition 2011____________________________________________ Dear Madam / Sir,
Please find attached the poster and the promo for the:
FLUTE Date: 7 - 13 May 2011 Place: Bucharest Age categories: two age categories - up to 18 and 30 years old Registration dead-line: 1st March 2011 – date of postmark Prizes: In a total amount of 10,000 Euro, consisting in
money, instruments or scholarships The competition is organized with the support of the Culture Programme 2007-2013 of the EU. For further details please visit http://www.jmEvents.ro or
contact us ! Prof. Luigi Gageos www.myspace.com/EUROPAfest ____________________________________________________ ____________________________________________ 2 - DIVULGAÇÃO : IRCAM - Programs in Composition and Computer MusicDe: http://www.ircam.fr/134.html?&L=1 ____________________________________________ Reading Panel 2011 The reading panel will deliberate in December
2010 and will recommend 15 participants in the Cursus 1 and 15 others in the
IRCAM Overview intensive course. This year the jury of the reading panel
includes composers (Frédéric Durieux, Yan Maresz, Brice Pauset), a musician
(Brice Martin), along with the Director of the Pedagogical Department, and the
Director of IRCAM. Dates limites de candidature : Cursus 1 Introduce Yourself to New Technologies for Composition Practical Training in Computer Music Program Dates:
September 2011 to April 2012 Approximately fifteen composers under the age
of 35 are selected to take part in this program where they can become familiar
and gain a deeper understanding of the theoretical and compositional issues
surrounding computer music. This intense full-time program introduces the
concepts of computer-assisted composition, signal processing, sound synthesis,
and writing for interaction. Seminars by guest composers accompany technical
courses taught from a compositional point of view. The year ends with the creation of a study for
a solo instrument and electronics performed during a workshop with music
professionals. Upon completion of the first year of the
Cursus program, students will have acquired the foundation necessary to have a
clear vision of the field, to continue his/her own training independently and
assess the systems necessary to realize their artistic projects. Haute École de Musique de Genève www.hemge.ch
Conservatoire National Supérieur de Musique et
de Danse de Paris www.cnsmdp.fr Educational Goals -Mastery of the process of composition in
studio with computer music tools and new technologies. -To become familiar with, and consider, the
theoretical and compositional issues surrounding computer music - especially in
the domains of computer-assisted composition, signal processing, sound
synthesis, and writing for interaction. -Acquisition of the practical skills needed
for to use the primary environments developed at IRCAM in these domains,
understanding of their interaction, and being capable of using them when
composing. -Test the different steps of the production
processes for a study written for a soloist and electronics in real-time:
aesthetic design, instrumental and electronic composition, computer production,
rehearsals, and musical realizations. -Take advantage of the musical and
intellectual activities held at the institute (e.g. concerts, seminars). Admission Requirements Born after January 1, 1976 Certificate of TEF results (French Evaluation
Level Test) for whom French is not the native language. The minimum required
TEF score is level 3 or higher/B1. Information: comite-lecture(at)ircam.fr +33(0)1 44 78 47 70 Participants selected by the reading panel jury Academic Year 2010-2011: BERTELLI Giovanni, Italy CORRADO Pasquale, Italy DUMONT Aurélien, France FIGOLS-CUEVAS Daniel, Spain GEDIZLIOGLU Zeynep, Turkey GLERUP Rune, Denmark IANNOTTA Clara, Italy KOLJATIC Tomas, Chile MIYAKAWA Wataru, Japan MOVIO Simone, Italy RUMBAU Octavi, Spain SONG Hyang-Sook, Korea TASCON Rodrigo, Mexico TROLLET Vincent, France WOO Minjung, Korea Cursus 2 Produce Your Own Artistic Project Specialized Training in Composition, Research,
and Music Technology Program Dates:
October 2011 to June 2012 At the end of the Cursus 1 program, five or
six composers are chosen for a second year of training and professionalization
during which they carry out a creative project. These projects are presented to
the public during the IRCAM concert season or during the Agora Festival.
Created in the spirit of experimentation, the creative project is intended to
call upon other disciplines such as dance or those connected with visual images
via partnerships developed between IRCAM and other European training
institutions. The proximity of IRCAM's research laboratories
encourages the students to collaborate with the researchers and provides
students with the opportunity to discover the latest technological
developments. Educational Goals -Acquisition, improvement, and practical
applications of the knowledge, skills, and expertise necessary for the
composer-in-training to carry out their artistic project with an individualized
follow-up. -To become accustomed to collaborative
projects with the IRCAM research laboratories; to examine and experiment with
one (or several) musical and technological concern(s) with the assistance of
the educational teams. -Take advantage of the musical and intellectual
activities held at the institute (e.g. concerts, seminars). Admission Requirements The successful completion of the Cursus 1
program, the past three academic years. Certificate of TEF results (French Evaluation
Level Test) for whom French is not the native language. The minimum required
TEF score is level 3 or higher/B1. Information: comite-lecture(at)ircam.fr +33(0)1 44 78 47 70 Participants selected by the reading panel jury 2010-2011 Academic Year: Maurilio Cacciatore, Italy Ashley Fure, United States Marc Garcia Vitoria, Spain Daniele Ghisi, Italy Eric Maestri, Italy ____________________________________________________ ____________________________________________ 3 - DIVULGAÇÃO : ABERTAS AS INSCRIÇÕES PARA 3º DIA PERCUSSIVODe: wenia2@yahoo.com ____________________________________________ Estão abertas as inscrições para o 3º Dia Percussivo. O evento é de natureza social, educativa e cultural que acontecerá dia 16 de dezembro na Estação Cabo Branco - Ciência, Cultura e Artes. O 3º Dia Percussivo, que neste ano é uma realização do Fundo Municipal de Cultura (FMC) de João Pessoa, aconteceu nos anos de 2007 e 2009 através do Blog Paraíba Percussiva e da Escola de Música Anthenor Navarro organizado pela professora e percussionista Wênia Xavier. Este ano contaremos com a participação de 18 grupos, além de apresentação de seminários, oficinas, II Concurso de Percussão Odair Salgueiro, exposição de instrumentos de percussão de artistas paraibanos e mostra de vídeos. Serão mais de 12 horas de muito ritmo com inscrições on-line e gratuitas. Mesmo os que não fizerem inscrição poderão entrar e visitar nosso evento. Ano passado fizemos uma homenagem ao Professor de Percussão da UFPB Odair Salgueiro (in memorian) atavés do concurso de percussão que acontecerá em cada edição. Este ano pretendemos homenagear o "Baixinho do pandeiro", pelo seu trabalho pela música da Paraíba. O cronograma de inscrições, regulamento do concurso, fotos de edições anteriores e outras novidades vocês podem conferir no blog do evento. Divulguem e acessem!
BLOG: www.diapercussivojp.blogspot.com E-MAIL: diapercussivojp@yahoo.com.br CONTATO: (83) 8660-2308 ____________________________________________________ ____________________________________________ 4 - DIVULGAÇÃO : Festival L'Espace du Son, Bruxelles, 20->24/10/10De: f.dubois@musiques-recherches.be ____________________________________________ !!!!!!!!!! cette année, les 50
premiers inscrits ne paieront que 5 euros pour une soirée au choix au lieu de
12 euros ! Dépêchez-vous
!!!!!!!!! INFO : http://www.musiques-recherches.be/agenda_event.php?lng=fr&id=603 Voilà plus de 60 ans que la musique électroacoustique expérimente sans cesse de nouveaux horizons sonores.Le compositeur explore et révèle le son : il l’enregistre, l’affine, le transforme, le met en boucle afin de le cerner et de le façonner à sa guise. Au gré de son inspiration, il pourra ainsi passer du murmure au hurlement en le faisant rayonner, rebondir, grincer, danser… 60 ans donc, que ces techniques sont expérimentées pour aboutir à des musiques insolites, immergé dans la matière sonore, les yeux mi-clos,l’imaginaire de l’auditeur s’imprègne du mélange des couleurs, des textures, du récit musical. Sa mémoire joue avec les formes immatérielles des sons.Un espace de création radicalement innovant, une projection dirigée de main de maître par son interprète dans l’espace acoustique de la grande salle du Marni, remplie de plus de 80 haut-parleurs. Ce sont là quelques éléments de cette 17° rencontre internationale autour des musiques acousmatiques. Cette année, le festival invite un pionnier, Michel Chion (samedi 23/10), ainsi que Federico Schumacher (vendredi 22/10 ) et Régis Renouard Larivière (jeudi 21/10). Trois portraits, trois esthétiques riches et variées à (re)découvrir. Musiques & Recherches propose également deux concours : Métamorphoses (composition : mecredi 20/10) et Espace du Son (interprétation spatialisée : 21, 22, 23, 24/10). Enfin, le concert de clôture rendra hommage au label empreintes DIGITALes, spécialisé dans la musique électroacoustique depuis 20 ans (dimanche 24/10). Installation lumineuse : Pierre Gallais Régie : Alexis Boilley/Antoine Thonon Direction artistique : Annette Vande Gorne Acousmonium de M&R Prévente du Pass
5 jours à 38€ (au lieu de 50/42€) Pour les 50
premiers inscrits : une soirée au choix à 5€ (au lieu de 12/9€) Inscriptions à info@musiques-recherches.be ou
+32 (0)2 354 43 68. ____________________________________________________ ____________________________________________ 5 - DIVULGAÇÃO : Festival di Nuova Musica - Contemporanea 2010De: info@taukay.it ____________________________________________ 12 ottobre 60x60 Images Mostra di arti dell’immagine in collaborazione con il Teatro Nuovo Giovanni da Udine La mostra resterà aperta dal 12 al 24 ottobre 14 ottobre Slowind Aleš Kacjan, flauto Andrea Rucli, pianoforte In collaborazione con l’Associazione Musicale Sergio Gaggia 16 ottobre 60x60 360 degrees of 60x60 in collaborazione con Vox Novus (New
York) 17 ottobre Interensemble Esecuzione delle composizioni vincitrici Fabio Bacelle, flauti Bernardino Beggio, direttore To see our CD Catalogue, available
also on itunes, please click here To listen to our web radio
completely dedicated to Contemporary music click
here TEM - Taukay Edizioni Musicali facebook ____________________________________________________ ____________________________________________ 6 - DIVULGAÇÃO : Festival Música nas Montanhas - Poços de Caldas____________________________________________
Poços de Caldas -
MG Brasil 9 - 22 . Janeiro
. 2011 www.festivalmusicanasmontanhas.com.br Festival Música nas Montanhas. Sua 12ª edição vem consolidar a estância de águas termais como polo
irradiador de música de qualidade. Venha fazer parte deste acontecimento!
1Atividades diárias: 1Audições:
1Roupa para Concertos:
1Estantes de Música: Trazer estante de música para seu uso pessoal.
1Hospedagem e transporte é responsabilidade de cada aluno.
1Alojamento: a cargo dos alunos. Sugestões na página Hospedagem.
1Câmbio: Alunos estrangeiros devem fazer o cambio Reais ainda em São Paulo no aeroporto ou casas de câmbio.
1Agasalho: Pode ser chuvoso. Trazer agasalho para temperatura que pode variar entre 12 e 23 graus Centigrados.
1Inscrições: Podem
ser feitas até uma semana antes do festival pela internet.
____________________________________________________ ____________________________________________ 7 - DIVULGAÇÃO : Curso Jogos e Brincadeiras Musicais - Módulos I e II____________________________________________ Professores de Música- NOVAS DATAS DIA 16 E 17 DE OUTUBRO
Curso Jogos e Brincadeiras Musicais - Módulo I e Módulo II
No Módulo I serão realizados exercícios com jogos rítmicos, jogos de improvisação, jogos de desenvolvimento melódico, pré-leitura e pré-solfejo.
No Módulo II apresenta-se nova seqüência de exercícios, alguns com maior dificuldade de realização e aprofundamento, material para discussões e ilustrações de vídeo aula, todos baseados na Pedagogia de Jaques Dalcroze.
O curso será ministrado pela prof. Clises Mulatti, reconhecida internacionalmente e tradutora dos livro Jogos Rítmicos, de Robert Abransom.
Público alvo: Professores de música em geral, músico - terapeutas, professores de ensino regular, e a todos que possam beneficiar o aprendizado e o desenvolvimento como forma de expressão.
Datas: 16 e 17 de Outubro Das 9:00 às 12:00 e das 13:00 às 16:00.
Vagas Limitadas - Investimento: R$ 170,00 cada módulo, ou R$ 300,00 os dois Módulos.
Local: Núcleo Cultural Tom sobre Tom
Inscrições junto à Secretaria da Tom sobre Tom - Escola de Música Rua Inácio Pereira da Rocha, 127 - Pinheiros - São Paulo ou tel. 3032 3436
Esse
é o Newsletter da Tom sobre Tom - Escola de Música e Núcleo
Cultural. Caso tenha não tenha interesse em receber novidades musicais e
culturais, retorne esse e-mail colocando a palavra REMOVER no assunto. Seu
e-mail será removido automaticamente, sem confirmação. ____________________________________________________ ____________________________________________ 8 - DIVULGAÇÃO : Lançamento do CD "Música Brasileira Contemporânea Vol. 3De: sergio@acasaestudio.com.br ____________________________________________ Na próxima 2ª feira, no Teatro Municipal de Niterói, a série Música no Salão Nobre encerra em grande estilo, com o lançamento do CD do violonista Armildo Uzeda "Música Brasileira Contemporânea Vol. 3 - Obras dedicadas a Armildo Uzeda". O CD tem em seu repertório obras de compositores brasileiros vivos: Ernesto Hartmann, Luis Carlos Barbieri, J. Orlando Alves, Heber Schünemann, Marcos Lucas, Randolf Miguel, Henrique Lisinsovsky, Célio Souza, Alexandre Schubert e Sergio Roberto de Oliveira.
O concerto tem início às 19h e a entrada é franca.
CDs à venda no local.
Serviço:
Concerto de Lançamento do CD de Armildo Uzeda Dia 04/10, 19h Theatro Municipal de Niterói Rua XV de Novembro, 35 – Niterói Entrada Franca
____________________________________________________ ____________________________________________ 9 - NEWS : Nieuwsbulletin autumn 2010 MCN Classical and Contemporary departmentDe: Hedendaags@muziekcentrumnederland.nl ____________________________________________ Peter Adriaansz and Piet-Jan van
Rossum feature composers at Festival November Music
Prick up your ears and embrace the silence
Embracing the silence and listening with concentration. Music by Dutch composers Peter Adriaansz and Piet-Jan van Rossum will feature at upcoming November Music Festival in ’s-Hertogenbosch.
It is an annual festival for contemporary music, for music that is only just fresh off the press. November Music takes pride in presenting premieres every year. This year the festival even features two Dutch composers who will both bring along brand-new works. Peter Adriaansz and Piet-Jan van Rossum have a lot in common, but at the same time they are completely different. “What I share with Peter is a great dedication,” says Piet-Jan van Rossum. “We are both highly ambitious and believe unconditionally in what we are doing, for the sake of music, both for the individual as for society and civilisation as a whole. Great words, but as true as can be.”
November Music: 10-14 November 2010 More information click here.
Author: Marc van de Voort Hannes Minnaar – pianist
Third prize winner Queen Elisabeth Music Competition 2010, Brussels
In May 2010 Dutch pianist Hannes Minnaar (1984) won the third prize in the Queen Elisabeth Music Competition in Brussels, the highest award ever received by a Dutch pianist at this prominent music competition. Last year he completed his piano studies with Jan Wijn at the Conservatory of Amsterdam, graduating with distinction. Master classes by Willem Brons, Pascal Devoyon, Menahem Pressler and Ferenc Rados have also contributed to his excellent playing.
Winning third prize in the Queen Elisabeth Music Competition has its consequences. ‘The result I achieved there opens many doors.
Hannes Minnaar will perform at the Classical Music Day in the Muziekgebouw aan 't IJ / Bimhuis in Amsterdam, Monday 11 October 2010.
Author: Philip Leussink Holland Panorama in Dortmund for
RUHR 2010
In 2010 the Ruhr is one of the three cultural capitals of Europe. Dutch artists are involved in more than a hundred RUHR.2010 projects, making the Netherlands the principal partner country. The most remarkable classical and contemporary music collaboration is the Holland Panorama in Dortmund.
The Holland Panorama takes place in October and November 2010 and was organised by Music Center the Netherlands in collaboration with Jac van Steen, the Dutch-born ‘Generalmusikdirektor’ of the city of Dortmund. For his farewell as chief conductor from the Musikkollegium Winterthur, van Steen already organised a festival under the same name in 2008: ‘I like to promote good Dutch music whenever possible.’
The aim of this initiative is to show the German audience a slice of Dutch music life. Read more>>
Holland Panorama: October and November 2010 For more information click here.
Author:Joep Stapel The Arnhem Mahler String Orchestra
In the United States it has already been a familiar phenomenon for decades: the community orchestra. This is an orchestra consisting of accomplished amateurs and professional musicians that are not active in their field, offering them the experience of playing in a large symphony orchestra. Although the Arnhem Symphony Orchestra of the Arnhem Philharmonic Orchestra is not a regular orchestra, it is becoming a recurring event. Almost every year since 2006, the department for education has organised an opportunity for experienced amateur musicians to perform in concert. In December 2010 the Arnhem Mahler String Orchestra will give a performance in De Vereeniging in Nijmegen. As many as a hundred amateur musicians will rehearse for one day with a number of professional musicians from the Arnhem Philharmonic Orchestra. One week later they will give an animated performance under one of the musicians from the orchestra. This time round they will play the Adagietto from Mahler’s Fifth Symphony, conducted by the oboist of the Arnhem Philharmonic Orchestra, Arthur Mahler (no relation).
The Arnhem Mahler String Orchestra: rehearsal 11 December, performance 18 December. Applications can be submitted until 15 October 2010. For more information click here.
Author: Paul Janssen Music Center The
Netherlands: Contemporary Dutch Music Abroad
This year Music Centre The Netherlands (MCN) is involved in developing and realising a number of projects abroad. Read more about Dutch projects in Huddersfield Contemporary Music Festival and NL-RUHR. Classical Music Day 2010 October 11th, 2010
On Monday 11 October Music Center the Netherlands organises Classical Music Day, the annual meeting for classical music professionals. The event will take place in the Muziekgebouw aan ’t IJ and the Bimhuis in Amsterdam. The day is all about getting inspired, attending performances both at showcases and on the presentation stage, networking and exchanging ideas. Two leading international speakers have been invited especially for this day: music critic and blogger Greg Sandow and classical music marketer Magnus Still. They will discuss today’s most topical issue: the relationship between classical music and the audience. Coming together and strengthening the position of classical music, that is the aim of Classical Music Day.
Classical Music Day 2010 Monday 11 October 2010 from 10 a.m. to 5 p.m. Muziekgebouw aan ’t IJ/Bimhuis, Amsterdam Entrance fee: €29,50 including lunch and drinks
Gaudeamus Interpreters Competition 2011 Application Deadline: November 1, 2010
The international Gaudeamus Interpreters Competition takes place in Amsterdam from 9 – 17 April 2011. The application deadline is November 1, 2010. This is the competition for young performers of contemporary music and is open to all instrumental and vocal soloists, duos and ensembles up to twelve performers (excluding conductor). For ensembles the average age of the group members must not exceed 35 years. For vocalists the maximum age is 40. At least two (2) compositions must be written by a Dutch composer or a composer who resides in the Netherlands and is integrated into Dutch musical life. All throughout the competition workshops, master-classes and concerts will be organised.
Click here for more information and the application for the International Gaudeamus Interpreters Competition 2011.
Activities of MCN & November Music 12-14 November 2010
In collaboration with November Music, MCN is organising the following activities:
Friday 12 November, 3 - 5 p.m. Expert meeting New Music, New Media and New Audience How new media can contribute to reaching a new audience for contemporary music. With successful examples from abroad.
12-14 November Cineac Sonore electronic music chamber Over three days, 15 composers will present their work in Cineac Sonore: every hour a composer will talk briefly about his or her own work and play an electro-acoustic tape-composition on 8 speakers. Rozalie Hirs’ new CD Pulsars will also be presented (co-production between MCN and Attacca) and the Prix Ton Bruynèl will be awarded. Programme for visitors: directors and artistic directors of 15 international festivals will visit performances of music by young Dutch composers at November Music.
Composer Seung-Ah Oh winner
of Buma Toonzetters Award
On Saturday evening 29 August composer Seung-Ah Oh received the Buma Toonzetters Award from Jeff Hamburg (member of the board of Buma/Stemra) for her piece JungGa. The international panel of judges, chaired by Lucas Vis, designated JungGa best Dutch composition of 2009. The award was presented in the Muziekgebouw aan ’t IJ in Amsterdam during the third edition of the Toonzetters Festival. Not only Seung-Ah Oh’s work was performed during Toonzetters, but also music by Bart Spaan, Richard Ayres, Aliona Yurtsevich, Wilbert Bulsink and last year’s winner, Robin de Raaff
Seung-Ah Oh Photo: Co Broerse
On Wednesday 1 September Made in Holland: showcase early music took place. It was organised by MCN in collaboration with the Utrecht Early Music Festival. Five Dutch early music ensembles showed how diverse the early music practice is and how well it fits into every type of music programme. Afterwards the visitors could attend the evening concert by the Holland Baroque Society. To accompany this
showcase a programme book was produced, offering portraits of the performing
ensembles as well as a listing of early music ensembles in the Netherlands. The
programme book with the listing of ensembles can be downloaded here
as a PDF file.
Marko Nikodijevic winner of
Gaudeamus Music Week After a splendid concert by VocaalLAB in the Muziekgebouw aan ‘t IJ in Amsterdam, head of MCN's contemporary music department Henk Heuvelmans presented the Gaudeamus Prize to Marko Nikodijevic (Serbia/Germany, 1980) for his orchestral work cvetic, kucica…/la lugubre gondola. The prize money of € 4550 is the commission for a new composition which will be performed at next year’s Music Week. The panel of judges (Donnacha Dennehy, Helena Tulve and Willem Jeths) praised the personal and mature tone of the piece that is based on the piano work La lugubre gondola by Liszt. The Italian Giuliano Bracci (1980) received an Honourable Mention for his orchestral work Da una spazio bianco and so did the Armenian Artur Akshelyan (1984) for Lichtfarben for violin and ensemble.
The award ceremony crowned an extremely varied week, packed with music by 83 composers from 35 countries. Heuvelmans mentioned that the atmosphere between the panel of judges and composers was excellent, that nobody had been split into different camps and ‘no scores had been burnt’. He was rightly satisfied, because if last week proved one thing, it is that contemporary music is alive and kicking. Despite the growing disregard by politicians and the media, the festival attracted a great deal of interest from the audience.
Author: Thea Derks, www.radio4.nl/nieuws/252/geslaagde-gaudeamusweek.html
For music fragments click here For further information on the website of MCN click here. Deadline for next year is 31st of January with extra the first international Conlon Music Prize for Disklavier Plus for a new work for Yamaha Disklavier.
Marko Nikodijevic
On 17 September Theo Loevendie turned 80. An honourable age that is at odds with the ever youthful vitality of his music. That should not come as a surprise: Loevendie has always maintained the childlike curiosity for music which, when he was a little boy, made him follow bands all through town. When at the age of 25 he went to the conservatory to study the clarinet and composition, he had already made his mark in jazz music, but inquisitiveness remained his main drive. ‘The classics, jazz, contemporary music, everything was equally exotic when I got to know it, because I was not brought up with it,’ Loevendie writes on his website. ‘But it didn’t stop there. After jazz, it was easy to make musical contact with music from other cultures, at first Africa, then Turkish and Arabic music, India, Japan, Indonesia etc.’ With his colourful Ensemble Ziggurat, founded in 2003, as well as in his compositions he is, to this very day, a completely individual and original voice in the international music world. A voice that celebrates and embraces the colourfulness of this very music world, a voice which will no doubt turn this colourfulness into exceptionally brilliant sounds in his new opera about the Dutch philosopher Spinoza that will be premiered in 2012.
Author: Paul Janssen
In honour of Theo Loevendie’s 80th birthday a DVD has been released on the Attacca label with: De Nachtegaal, Westerborklied, Six Turkish Folkpoems, Dance for violin solo and Improvisations. *Attacca DVD 210122
Mayke Nas recently received the artist grant of the Deutsche Akademische Austauschdienst (DAAD), a prestigious exchange endowment, allowing her to work for a year in Berlin.
Great names in musical history have preceded her: Stravinsky, Cage, Feldman, Riley, Xenakis, Nono all worked upon invitation of DAAD for a year during their life in Berlin. This is the second time in history that this grant has been awarded to a composer in the Netherlands. Moreover Mayke Nas is the first Dutch composer to receive this distinction since Louis Andriessen (who resided there in 1964).
For more information click here.
Author: Anthony Fiumara
Mayke Nas Photo: Teo Krijgsman
On Sept. 29th harpsichordist Annelie de Man passed away following an illness of several months.
Annelie de Man was known as an interpreter of contemporary music for harpsichord. She asked many composers to write works for her. As a teacher of harpsichord music at the Conservatory of Amsterdam, she taught students from around the world. She was also involved in many projects, including the Gaudeamus Music Week, November and Music Suite Music Week. She was secretary of the Ton Bruynèl Foundation,a platform promoting electronic music.
Annelie de Man Photo: Roderik de Man
WILLEM JETHS
GUUS JANSSEN
SYLVIA MAESSEN
For other scores read more
>> To order go to: www.mcn.nl/webshop.
Martijn Padding: Three Concerti The title of the latest
CD in the series Dutch Composers with works by Martijn Padding (b. 1956), Three
Concerti, would almost put you on the wrong track. What does it mean by
concerti? Concerti by a composer who is recognised as continuing in the
tradition of The Hague School of Louis Andriessen and his colleagues? What does not come as a surprise, is the complete openness the works convey, a constant element in Padding’s oeuvre. The soloists are Martine Sikkenk (mandolin), Dirk Luijmes (harmonium) and Heleen Hulst (violin) respectively. They are accompanied by ASKO|Schönberg, conducted by Etienne Siebens. * Et’cetera KTC 1406
This compact disc is available in music stores in the Netherlands or by e-mail: info@etcetera-records.com
Beyond entertainment: why music matters At the end of the lecture ‘Beyond entertainment: why music matters’, which English philosopher Roger Scruton gave in Nijmegen on 11 June 2009, the traditionalist (‘a man of position’ as Maartje Somers once called him) highly praised Aap verslaat knekelgeest (Monkey defeats the Skeleton Ghost) by Peter Schat. However, he had one reservation: according to him, the melodic figures are ‘remarkably short of breath too’. Likewise, he once described modern society as a whole in similar words in an interview: ‘fast changes, fast satisfaction of needs and an aversion to complexity’. These are qualities which, according to him, are at odds ‘with the values that are necessary for understanding high culture’ (in: NRC Handelsblad, 23 May 2008).
Meer dan ontspanning alleen. Over het belang van muziek (Beyond entertainment: why music matters). Roger Scruton, Vincent Meelberg, Martin J.M. Hoondert. Ed.: Joost van Vugt. Published by DAMON/Soeterbeeck Programma, 2010 (ISBN 978 90 5573 999 8) ____________________________________________________ ____________________________________________ 10 - NEWS : Mica - music austria Newsletter 12. Ausgabe, Oktober 2010____________________________________________ 1. mica - music austria News a. mica - Workshops
Beginn: 18.00 Uhr in Kooperation mit CIS (Creative Industries Styria)
b. mica focus „2010 – was ist das
Neue an der Neuen Musik?“ 1. Soundcloud: Musikfiles in der Wolke 2. mica - Interview mit Austrofred 3. mica - Interview mit Wolfgang Danzmayr (KOFOMI) 2. mica - music austria Services - mica club Spezielle Vergünstigungen für Musikschaffende, Musikliebhaber &
Musikliebhaberinnen. Mitglieder erhalten Vorteilsangebote aus wichtigen
Bereichen für Musikschaffende.
MUSIC AUSTRIA - ÖSTERREICHS GRÖSSTE MUSIKMESSE
3. mica focus: 2010 – was ist das Neue an der Neuen Musik? Im Rahmen von Wien Modern findet am letzten Tag des
Festivals eine Podiumsdiskussion statt. Selbstkritische und -reflexiv, soll der
Frage nachgegangen werden, was das „Neue“ an der Neuen Musik sei. Diskutiert
wird am Samstag, den 20. November 2010 um 14 Uhr im mica – music information
center austria (Stiftgasse 29, 1070 Wien). In dieser Rubrik möchten wir Ihnen jeweils den neuesten Eintrag aus
der mica - music austria Musikdatenbank vorstellen. In der mica-Musikdatenbank
finden Sie nicht nur umfassende Einträge zu zeitgenössischen österreichischen
KomponistInnen sondern auch Publikationen zu InterpretInnen sowie Bands und
Ensembles. 5. Ausschreibungen, Wettbewerbe, Preise, etc the femous orchestra! Vokalwettbewerb-Ausschreibung 6. mica - music austria Bibliothek: Buchvorstellung Klein aber fein - so kann man die Präsenzbibliothek von mica -
music austria wohl am treffendsten beschreiben. Sie bietet eine große
Auswahl an wichtigen und relevanten Werken zu Themen und Personen des
österreichischen Musiklebens, sowie Literatur zu anderen Sachgebieten, die für
die Arbeit mit Musik eine wichtige Rolle spielen. Impressum Medieninhaber: MICA Music Information Center Austria ____________________________________________________ ____________________________________________ 11 - NEWS : [la lettre d'information du GRM] octobre 2010De: grminfo@ina.fr ____________________________________________ ELECTROMANIA par Christian Zanési, David Jisse et
Christophe Bourseiller. Réalisation : Alexandre Bazin ÉLECTROMANIA sur France Musique conclut la soirée « LES LUNDIS DE LA CONTEMPORAINE » présentée par
Arnaud Merlin. Alva NOTO & Blixa BARGELD Mimikry 4 Octobre 2010 THE DEEP LISTENING BAND Cannery Row PEOPLE LIKE US & WOBBLY Music for the fire Jean SCHWARZ & Élise CARON The Sea Maid’s
Music Hyun-Hwa CHO Métametaux Clive HYLTON & The UPSETTESS / Remix Lee
Scratch PERRY From Dub Four Alejandro VINAO Street Kids Joan BAGES i RUBI Signes vers l’autre FLATLINE SKYLINE Unbound Martin MATALON Traces 12 Octobre 2010 Karlheinz STOCKHAUSEN Helikopter-streichquartett Guy DEBORD Enregistrements magnétiques 1952-1961 Jean-Guy COULANGE Opéra-son 4 Eli KEJZLER Oxtirn II APM001 Migrants Ludwig KOCH Hugarian dances & Paris, a
feature of everyday life 1 John CAGE Aria with Fontana Mix Bruno SPOERRI & Irmin SCHMIDT Rapido De
Noir Saburo UBUKATA Multistory tonality 19 Octobre 2010 Martin TETREAULT Sainte-Arcana Daniel JOHNSTON The Story of an Artist Michel CHION TU KABUTAGONI 120 Degrees Mark McGUIRE Living yourself Régis RENOUARD LARIVIERE Musiques pour Bethsabée AMETSUB The Nothings of the North BEE HAT CH Brood Federico SCHUMACHER Mingasola I > ELECTRAIN DE NUIT Par Christian ZANESI et David JISSE Lundi 18 octobre 2010
Première partie : découvertes et nouveautés. NEBULO Radiogoo Marie-Hélène BERNARD Trois miniatures chinoises Patrick WIKLACZ Petits poissons solubles Andrea COHEN L’idée du voyage Deuxième partie : Concert Multiphonies du 27 Juin 2010 Pierre SCHAEFFER Masquerage Michele TADINI Di rive e di corsi d’acqua Alejandro VINAO Chicos del 21 Troisième partie : Portrait d’Alejandro VINAO Hendrix Haze ( 1983) Hildegard’s dream (1993) Rashomon, the opera (1999) 24 concerts exceptionnels chez Pierre Henry Pierre Henry vous informe qu’une prochaine
série de concerts aura lieu dans sa maison. Il donne
ces concerts à l’occasion de la parution du livre La
Maison de sons de Pierre Henry. Deux concerts par jour, l’un à
18 heures autour d’un autoportrait, le deuxième à 20h30 ayant pour thème
Dracula. INFORMATIONS CONCERTS Du 18 au 30 octobre 2010 (sauf le 24) Horaires La Maison de Sons Concert 1 : 18 heures Durée : 75’ environ La Maison de Sons Concert 2 : 20 heures
30 Durée : 60’ environ Ouverture des portes : 30’ avant le concert Lieu : à la Maison - Paris 12e. L’adresse du concert est communiquée sur les
billets. POINTS DE VENTE ____________________________________________________ ____________________________________________ 12 - NEWS : Now on NewMusicBox: Henry Threadgill, Mary Halvorson, and more!De: American_Music_Center@mail.vresp.com ____________________________________________ Henry
Threadgill: No Compromise Although Henry Threadgill's music
can often be extremely entertaining, he dislikes the word entertainment. And
while many of his musical compositions leave a lot of room for individual
interpretation, in fact they demand it, he categorically rejects compromise.
Few composers in any genre have been as clear and articulate about precisely
what they want, and yet surprise is a fundamental component to Threadgill's
aesthetic and it impacts the musicians he works with as well as the audience. Also recently posted: SPOTLIGHT SESSION: Mary Halvorson: Saturn Sings By Molly Sheridan ANALYSIS: Composing a Life, Or How I Learned to Stop Worrying and Love the Dollar By Ian David Moss VIEWPOINT: Complexity Wars By Matthew Guerrieri FIELD REPORT: Ultima(te) Contemporary Music Festival: Part 1 and Part 2 Michael Straus really wanted to attend as much of the Ultima Contemporary Music Festival as humanly possible, so he picked up an all-access pass (which could be purchased at any local 7-Eleven!) and experienced eleven non-stop days of music. His report is posted in two parts (Part 1 and Part 2). FIELD REPORT: 2010 Cabrillo Festival of Contemporary Music: Reports from Elena Kats-Chernin and Kevin Puts The annual Cabrillo Festival of Contemporary Music in Santa Cruz, California, is one of the most enjoyable new music events in the United States. Since it was Elena Kats-Chernin's first-ever visit to Cabrillo, we asked her to keep a diary of her experience there. Reading her day-to-day activities offers a rare inside look into the mind of a composer as events unfold. In addition, we asked Kevin Puts to describe the performance of his Piano Concerto at the festival which was one of the more memorable events in recent music history. VIEWPOINT: Does a Composer's Body Need to be Tuned? By Mark N. Grant ____________________________________________________ ____________________________________________ 13 - NEWS : Boletín de Prensa del CMMAS____________________________________________ Boletín de Prensa del CMMAS Actividades del Centro Mexicano para la Música y las Artes Sonoras (CMMAS) Del 4 al 8 de octubre de 2010. Uno de los ejes de trabajo principales del Centro Mexicano para la Música y las Artes Sonoras es el fomento a la creación. A través de sus programas, el CMMAS ofrece a músicos y artistas de diferentes disciplinas que utilizan el sonido como materia prima de sus obras la infraestructura y los recursos necesarios para realizar proyectos creativos de experimentación, investigación, multidisciplinarios y no convencionales de manera completa. El CMMAS es un espacio en el cual proyectos no convencionales de alta calidad encuentran el entorno adecuado para crecer y desarrollarse, permitiendo y fomentando la experimentación e investigación sin culminar necesariamente en un producto tangible terminado.
-Concierto: Chapman Stick, batería y electrónica (Japhlet Bire, México). El stickista mexicano presentará un concierto en el CMMAS con lo mejor de su material discorgráfico. Día: 8 de octubre Hora: 20.30 Lugar: auditorio del CMMAS. Entrada gratuita. -Charla pre-concierto: "Las posibilidades expresivas del Chapman Stick" Japhlet Bire impartirá una charla en la que hablará sobre las técnicas del stick, un instrumento eléctrico de 10 cuerdas que se toca como si fuera un piano. Día: 8 de octubre Hora: 19.30 Lugar: auditorio del CMMAS. Entrada gratuita. -Taller de desarrollo de instrumentos musicales para espacios públicos impartido por Alfons van Leggelo (Holanda), del 4 al 6 de octubre de 2010. Esta es una oportunidad única para los interesados en la experiencia de uno de los más interesantes y exitosos constructores de instrumentos para espacios públicos del mundo. -VIDEOARTE_medios audivisuales para la producción artística, del 10 de septiembre al 8 de octubre. El CMMAS, a través del profesor David Lobato, impartirá el módulo "Técnicas de audio" a los alumnos del seminario de la UMSNH. -Participación del CMMAS en el "Encuentro de Lenguajes Independientes", el 8 de octubre del 2010. El Dr. Rodrigo Sigal, junto con Adán Jodorowski, participarán en el diálogo "El fenómeno de las tendencias independientes en la música de México y sus influencias" -Residencia de Rosa María Nolly Bustos (Argentina), del 6 de septiembre al 13 de noviembre. La artista realizará una obra para saxofón alto y medios mixtos en ocho canales, inspirada en sus experiencias vividas en el vuelo a vela en el marco de las becas para compositores argentinos apoyadas por el Fonca. - Sonic Ideas /Ideas Sónicas, vol 2 Nº 2, primavera, con artículos de destacados artistas ya está disponible en la tienda virtual del CMMAS la revista. Editada por el Dr. Julio d’Escrivan (Inglaterra-Venezuela). Más información: www.sonicideas.org -“Max/MSP: guía de programación para artistas”: ya está a la venta el libro escrito por Francisco Colasanto. Para mayor información: www.cmmas.org Contacto: Silvana Casal (01) 443-317-5679/313-8343/silvana@cmmas.org El Centro Mexicano para la Música y las Artes Sonoras perteneciente a la Secretaría de Cultura del Estado de Michoacán y al Consejo Nacional para la Cultura y las Artes (CONACULTA), es un proyecto de vanguardia tecnológico-musical único en América Latina. Con sede en la ciudad de Morelia, Michoacán, el CMMAS ofrece la infraestructura y el personal humano necesarios para realizar actividades de formación académica, investigación, creación, producción y promoción de la música y las artes que incorporan el sonido como elemento primordial. El CMMAS tiene por misión potenciar el desarrollo de la música y las artes sonoras en México. Está conformado por un grupo de especialistas reconocidos internacionalmente y es apoyado por su Comité Académico, un organismo que reúne a varias de las personalidades de más alto prestigio a nivel nacional e internacional en el campo de la composición musical con nuevas tecnologías. El CMMAS pretende convertirse en el principal espacio en Iberoamérica para la creación, reflexión y aprendizaje especializado de las diferentes vertientes de la música contemporánea con y sin nuevas tecnologías, transformándose en un nodo para la vinculación entre México y el resto del mundo en todo lo referente a la música y las artes sonoras, y promoviendo el desarrollo cultural de la comunidad a la que pertenece. -- ____________________________________________________ ____________________________________________ 14 - NEWS : Musical America Weekly NewsletterDe: newsletter@musicalamerica.com ____________________________________________ Met's Rheingold: The Critics Weigh In Reviews of the Met Opera’s opening night
and the debut of its new Ring are trickling in; all are in agreement
that, musically, this Rheingold was a success, thanks to James
Levine’s return to the fold. The singers also get high marks, although some
thought Bryn Terfel’s Wotan was “petulant” and “tentative.” This writer found
him somewhat disengaged, although in fine voice. I confess to being distracted
by that ugly mass of hair in his blind eye—perhaps he was, too. As to Robert Lepage’s Big Deal
production (known inside the house as "The Machine"), the crits are
hedging their bets, especially since technical glitches on opening night
prevented the unveiling of the reportedly spectacular bridge to the family
homestead. Valhalla, it turns out, was stuck in a computer, unable to make its debut
for safety reasons, we are told.
EMI Classics Names New VP of A&R Guy Hands and his private equity
firm, Terra Firma, continue to pursue Citigroup in court over what Hands claims
was “misleading” advice about his purchase of the struggling EMI Music Group in
2007. But the beleaguered recording division carries on, and its latest
announcement is the appointment of Andrew Cornall as vice president of A&R
for EMI Classics. Cornall since 2004 has been the
executive director of the Royal Liverpool Philharmonic, credited with bringing
it back to life after some rather moribund years. Prior to the RLPO, Cornall
was for 25 years in the recording business, lastly as senior executive producer
of the Decca Music Group. Among other accolades, he earned a Grammy award in 1994
as classical producer of the year. He was also responsible for the relaunch in
the early ‘90s of the Argo label, which helped raise the profile of new
American and British works. Domingo to Step Down from D.C. Opera WASHINGTON, D.C.—Plácido Domingo
said Monday he will exit the Washington National Opera when his contract
expires next year, leaving the company with a higher artistic profile but
struggling to support itself. In a letter to the WNO board,
Domingo writes, "I think it is time for the company to go in new
directions, including studying the possibility of a merger with the Kennedy
Center." The opera has struggled financially in recent years as a stand-alone
company. Detroit Musicians Say They Will Strike After an unsuccessful last-ditch
effort to reach an agreement with management—even with federal, state and local
mediators on hand—the musicians of the Detroit Symphony Orchestra have said
they will go on strike Oct. 4, the first day of rehearsal for the new season. Zarin Mehta to Exit NY Philharmonic In an announcement whose timing does
not seem coincidental, the New York Philharmonic has said that Zarin Mehta will
step down as President and Executive Director of the orchestra when his
contract expires, on Aug. 31, 2012, after 12 years at the helm. Last Friday, the orchestra announced
that its upcoming trip to the Republic of Georgia had been cancelled. Mehta
expressed anger and dismay publicly, citing a loss of hundreds of thousands of
dollars to the orchestra, which is some $5 million in debt. As it turns out,
there was no signed contract with the Georgian Ministry of Culture. News of
Mehta’s departure arrives one working day after that fiasco and on the same day
as opening night of the Metropolitan Opera’s season, which is probably Lincoln
Center’s biggest day of the year. An odd time to issue
important news from another of its high-profile constituents. New Artist of the Month: Massimo La Rosa CLEVELAND – Massimo La Rosa has
journeyed far since he was a 10-year-old trombonist in the community band in
his hometown near Sicily, just outside Palermo. A decade later, he joined the
orchestra at the renowned Teatro La Fenice in Venice, becoming principal
trombone in his third season. But sitting in the pit of the
restored opera house where many historic works had their premieres, including
Verdi’s La Traviata in 1853, La Rosa dreamed of moving on to a major
symphony orchestra, ideally in the United States. In 2007, he achieved his
goal: he was appointed principal trombone of the Cleveland Orchestra, in which
he has distinguished himself as a musician of impeccable taste and remarkable
facility. Those qualities can be heard on his first solo recording, Cantando,
a self-produced disc that has just been released. There is so much mad in choreographer Faye Driscoll From the "Torn Tutu" by
Rachel Straus On September 22, Driscoll’s
70-minute work began with Nikki Zialcita running in place while Mark Helland
held her wrists behind her back. His lock impeded her forward progression
downstage. Seeing her bobbing in place produced laughs. Zialcita is small and
zophtic and looked under Amanda K. Ringger’s acid-colored lighting a bit like a
Robert Crumb cartoon drawing. As the duet evolved in silence, Helland
increasingly treated Zialcita like a plaything. Zialcita didn’t object; she
squealed with pleasure as he held her throat. This frolic grew, like a glacial
creep, disturbing. Musical America is helping presenters
keep up with its advertisers! We have added a new section to our weekly
E-Newsletter, which is called Latest Roster Changes, and will continue
to update advertiser rosters on our Web site, New This Week conductor, added, Sciolino Artist Management 07 October Also This Week on MusicalAmerica.com.... Study Warns Digital
Recordings Fading Fast ____________________________________________________ ____________________________________________ 15 - NEWS : Now and soon in New York and the world____________________________________________ NOW AND SOON: ::::::::::::::::::::::::::::::::::::: Ear to the Earth ::::::::::::::::::::::::::::::::::::: The World Below G and Beyond: Works
for Violin Subharmonics and Interactive Computer ::::::::::::::::::::::::::::::::::::: Hans Tammen and IRON FOUNDRY
Ensemble
:::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::: ::::::::::::::::::::::::::::::::::::: China ____________________________________________________ ____________________________________________ 16 - CONCERTO : Música de câmara no Centro Cultura Musical de CamposDe: marketingorquestrandoavida@gmail.com ____________________________________________ Acontece na próxima sexta-feira (8), às 20h, no auditório Nelly Albernaz, na sede do CENTRO CULTURA MUSICAL DE CAMPOS (CCMC), apresentação de música de câmara. As performances, que serão executadas por alunos da Orquestra Jovem Professora Mariuccia Iacovino, incluirão peças para violino, viola, violoncelo, contrabaixo, clarineta, flauta, oboé, trompa, trombone, trompete e percussão, sempre acompanhados do piano.
____________________________________________________ ____________________________________________ 17 - CONCERTO : Orquestra Sinfônica Municipal de Campinas - Concerto Oficial: 9 e 10 out____________________________________________ Jamil Maluf,
Regente EDWARD ELGAR www.osmc.com.br
| contato@osmc.com.br Centro de Convivência Cultural Carlos Gomes Praça Imprensa Fluminense, s/n - Cambui - Campinas / SP ____________________________________________________ ____________________________________________ 18 - CONCERTO : Violino, vozes e Orquestra para Haydn e Mozart____________________________________________ Olá! No próximo domingo, dia 10, a Orquestra de Câmara Fundarte vai apresentar o concerto SESI Catedrais que, entre músicos e cantores, reunirá 52 participantes, na Igreja de Santo Antônio, em Porto Alegre, com entrada franca.
Um abraço,
Skype: mdatuar
Violino, vozes e Orquestra para Haydn e Mozart no concerto SESI Catedrais
O dia 10 de outubro vai marcar a apresentação do concerto SESI Catedrais, que reunirá 52 participantes e será apresentado pela Orquestra de Câmara Fundarte, na Igreja de Santo Antônio em Porto Alegre. Sob a batuta do maestro Antônio Borges-Cunha, o concerto abre com a Sinfonia Nº 1 em Mib Maior, K. 16, de Franz Joseph Haydn, seguido da Missa em Sol Maior, K. 4,de Wolfgang Amadeus Mozart e encerra Concerto nº 3 para Violino e Orquestra em Sol Maior. K. 216, também de Mozart, e tem como solista Bruno Esperon, (violino), um dos vencedores da Seleção Jovens Solistas 2009, realizada pela própria Orquestra de Câmara Fundarte.
O concerto terá a participação do Grupo Cantábile (Solistas:Carolina Veloso, soprano e Rose Carvalho, mezzo-soprano, Regente: Delmar Dickel), além dos músicos convidados: Viktória Tatour (oboé), Rômulo Chimeli (oboé), Saulo Coelho da Rosa (trompa) e Rondineli Lopes (trompa).
CONCERTO SESI CATEDRAIS Dia 10 de outubro de 2010 Horário: 19h30min Local: Igreja de Santo Antônio Endereço: Rua Luiz de Camões, 35 Bairro Santo Antônio - Porto Alegre Entrada franca Informações: www.fundarte.rs.gov.br Telefone: XX (51) 3632.1879
Programa
Franz Joseph Haydn Sinfonia Nº 1 em Mib Maior, K. 16 Molto allegro Andante Presto Wolfgang Amadeus Mozart Missa em Sol, K. 49 Kyrie Gloria Credo Sanctus Benedictus Agnus Dei
Grupo Cantábile Solistas:Carolina Veloso, soprano; Rose Carvalho, mezzo-soprano César Rodrigues Pereira, tenor; Francis Padilha, barítono Regente: Delmar Dickel
Wolfgang Amadeus Mozart Concerto nº 3 para Violino e Orquestra em Sol Maior. K. 216 Allegro Adágio Rondeuau (Allegro)
Solista: Bruno Esperon
Músicos convidados: Viktória Tatour - oboé
Regente: Antônio Borges-Cunha
Assessoria de Imprensa Dinorah Araújo Jornalista MTb 5704 Fone: (51) 3311.6677/9964.5492 E-mail: dinorah@cpovo.net Skype: mdatuar ____________________________________________________ ____________________________________________ 19 - CONCERTO : Ópera no Cine LeblonDe: carolina.vilela@inpresspni.com.br ____________________________________________ ÓPERA, AO VIVO, DIRETO DE NOVA YORK NO CINE LEBLON As produções cinematográficas darão espaço à ópera no Cine Leblon, do Grupo Severiano Ribeiro. Já estão à venda ingressos para assistir à temporada 2010/2011 do The Met Opera, ao vivo, direto de Nova York e com transmissão em alta definição. No dia 9 de outubro (14h) será apresentada O Ouro do Reno, de Richard Wagner (duração 3h15min). Já no dia 23 de outubro (14h), será a vez da ópera Boris Godunov (duração 5h30min), de Modest Petrovich Mussorgsky, e no dia 13 de novembro (16h) a exibição será de Don Pasquale (duração 4h), de Gaetano Donizetti.Os ingressos custam R$ 50,00 e podem ser adquiridos nas bilheterias do cinema ou através do site www.gsr.com.br. Met Opera: O Ouro do Reno 9 de outubro Dois incomparáveis artistas unem forças para criar um inovador ANEL DO NIBELUNGO, a Tetralogia de Richard Wagner, para o Met: o maestro James Levine e o diretor Robert Lepage. O ciclo começa com O ouro de Reno, o prólogo para o drama épico de Wagner. O anel não é só uma história ou série de óperas, é um universo, diz Lepage, que traz tecnologia de ponta e sua própria imaginação visionária para a maior jornada teatral do mundo. Bryn Terfel canta o papel principal de Wotan pela primeira vez com a companhia, encabeçando um elenco extraordinário. Met Opera: Boris Godunov 23 de Outubro Bass René Pape recebe uma dos maiores papéis em uma produção de Stephen Wadsworth. Valery Gergiev realiza o espetáculo com alma de Mussorgsky, que capta o sofrimento e a ambição de uma nação. Aleksandrs Antonenko, Vladimir Ognovenko e Ekaterina Semenchuk lideraram o enorme elenco de uma obra que é também uma vitrine para o coro de tirar o fôlego formidável do Met. Met Opera: Don Pasquale 13 de novembro Anna Netrebko revive sua sensacional performance nesta sofisticada comédia do bel canto, ao lado de Matthew Polenzani, Mariusz Kwiecien e, no papel-título, John Del Carlo. Quem rege é o diretor musical do MET James Levine. Quando esta produção de Otto Schenk estreou em 2006, foi chamada de brilhante e maravilhosa pelo The New York Times.
Anna Carolina Vilela In Press Porter Novelli carolina.vilela@inpresspni.com.br
Porter Novelli Many Minds. Singular Results ____________________________________________________ ____________________________________________ 20 - CONCERTO : Quinze Miniaturas para DottoriDe: fernandoriederer@yahoo.com.br ____________________________________________ A Universidade Federal do Paraná promove na Capela Santa Maria o concerto 15 Miniaturas para Dottori, em homenagem ao cinquentenário de Maurício Dottori, compositor e principal professor de composição de Curitiba. O programa, constituído exclusivamente de estréias, reúne miniaturas compostas por alunos e ex-alunos de Dottori especialmente para homenagear o compositor, além de uma obra inédita do próprio Dottori. O concerto constitui assim um painel completo dos novos compositores surgidos na cena de música contemporânea em Curitiba nos últimos quinze anos, agregando em uma única noite desde compositores premiados e de atuação reconhecida no Brasil e no exterior até as mais jovens promessas musicais recém advindas dos celeiros de criação musical da cidade. O evento é promovido pela Pró-Reitoria de Extensão e Cultura em
parceria com o Departamento de Artes da UFPR sobre uma iniciativa do ensemble
entreCompositores, com apoio da Fundação Cultural de Curitiba. As obras
serão interpretadas pelo ensemble de música contemporânea Nova Camerata e
solistas convidados, sob a direção de Márcio Steuernagel, regente da Orquestra
Filarmônica da UFPR. Programa:
____________________________________________________ ____________________________________________ 21 - CONCERTO : Antonio Meneses se apresenta com OSB dia 8 de outubroDe: ana.bonifacio@inpresspni.com.br ____________________________________________ ANTÔNIO MENESES SE APRESENTA COM OSB Concerto acontece dia 8 de outubro, no Theatro Municipal, com
regência do suíço Matthias Bamert em sua estreia brasileira Um dos mais respeitados violoncelistas do
mundo, Antônio Meneses se apresenta com a OSB no próximo dia 8 de outubro, em
concerto que terá a regência do suíço Matthias Bamert, que faz sua estreia no
Brasil. No programa, Concerto para Violoncelo em lá
menor, op. 129, de Schumann, e Sinfonia n.10
(orquestração Deryck Cooke), de Mahler – que será tocada pela primeira vez por
uma orquestra brasileira. O repertório foi especialmente criado em homenagem
aos dois compositores, Schumann (que nasceu há 200 anos) e Mahler (nascido há
150 anos). O maestro tem sido um convidado regular nos
Estados Unidos e no Canadá, onde trabalhou em várias ocasiões com a Minnesota
Orchestra e as Sinfônicas de Seattle, Detroit e Montreal. Também se apresenta
com freqüência no Extremo Oriente e na Austrália, dirigindo a Orquestra
Sinfônica NHK, no Japão, e as orquestras sinfônicas de Sydney e de Melbourne. Sua carreira começou na Orquestra de
Cleveland, onde foi maestro residente, ao lado do então diretor musical, Lorin
Maazel. Desde então, ocupou cargos de diretor musical na Orquestra da Rádio
Suíça e na London Mozart Players, de regente titular da Royal Scottish National
Orchestra e de regente associado da Royal Phillharmonic Orchestra, em Londres. Antônio Meneses nasceu em 1957 em Recife, no
seio de uma família de músicos. Começou a estudar violoncelo aos 10 anos e aos
16 conheceu o famoso violoncelista italiano Antônio Janigro, que o convidou a
frequentar suas aulas em Düsseldorf e, mais tarde, em Stuttgart. Em 1977,
ganhou o 1º Prêmio no ARD Concurso Internacional de Munique e, em 1982, o 1º
Prêmio e Medalha de Ouro no Concurso Tchaikovsky em Moscou. Meneses se
apresenta regularmente com as mais importantes orquestras do mundo, como as
filarmônicas de Berlim, Moscou, São Petersburgo, Israel e Nova Iorque, as
sinfônicas de Londres, da BBC e de Viena, e a orquestras do Concertgebouw de
Amesterdã e da Rádio da Baviera, dentre outras. Entre os maestros com quem
colaborou, contam-se Herbert von Karajan, Riccardo Muti, Mariss Jansons,
Claudio Abbado, André Previn, Andrew Davis, Semion Bychkov, Herbert Blomstedt,
Gerd Albrecht, Yuri Temirkanov, Kurt Sanderling, Neeme Järvi, Mstislav
Rostropovich, Vladimir Spivakov e Riccardo Chailly.
Matthias Bamert, regente Antônio Meneses, violoncelo 8 de outubro, sexta-feira, às 20h Theatro Municipal Série Ônix Programa: Schumann – Concerto para Violoncelo em lá menor, op. 129 Intervalo Mahler – Sinfonia n.10 (orquestração Deryck Cooke) Theatro Municipal – Praça Marechal Floriano s/nº - Centro Informações do Theatro: (21) 2332-9191/ 2332-9005, a partir das 10h Bilheteria: (21) 2332-9462 Classificação: Livre Duração: 2h Preços: R$ 18 (Galeria), R$ 60 (Balcão Simples), R$ 130 (Balcão
Nobre e Plateia) e estão à venda na bilheteria do teatro e pelo site
Ticketronic (www.ticketronic.com.br) ou
pelo telefone 3344-5500. Programação sujeita a alteração. Descontos: 50% para terceira idade, estudantes, portadores de necessidades especiais
e menores de 21 anos A Orquestra Sinfônica Brasileira é mantida pela Vale e Prefeitura do
Rio. Apoio financeiro: BNDES. SOBRE A OSB Fundada em 1940, a Orquestra Sinfônica Brasileira é o mais
tradicional conjunto sinfônico do país e um dos mais importantes da América
Latina. Desde a sua criação, a orquestra apresentou Temporadas em todos os
anos, construindo uma trajetória artística ininterrupta e pautada pelo
pioneirismo na realização de turnês nacionais e internacionais, concertos ao ar
livre e espetáculos para a formação de novos públicos, como os Concertos da
Juventude. A OSB também realizou estreias mundiais de obras de autores
brasileiros como Heitor Villa-Lobos, Radamés Gnattali e Camargo Guarnieri. A OSB tem como uma de suas missões o incentivo a novos talentos para
a música, investindo em projetos como o Coro de Crianças, criado em 2010, e a
OSB Jovem, orquestra com mais de oitenta integrantes de até 25 anos, referência
na capacitação de novos músicos no Brasil. Ao longo das últimas décadas, alguns
dos maiores artistas brasileiros foram lançados pelas iniciativas e premiações
da OSB, como Nelson Freire, Arthur Moreira Lima e Antonio Meneses. Desde 2005, a OSB conta com a direção artística e a regência titular
de Roberto Minczuk e tem recebido a participação de convidados como Joshua
Bell, Kurt Masur e Dame Kiri Te Kanawa. No ano em que celebra seu 70º
aniversário, a OSB, em parceria com a Universidade do Estado do Rio de Janeiro,
ocupa o Teatro Odylo Costa Filho, apresentando concertos e ensaios abertos à
comunidade acadêmica e ao público em geral. A Orquestra Sinfônica Brasileira é
mantida pela Vale e pela Prefeitura do Rio. Apoio financeiro: BNDES. Outubro/2010 In Press Porter Novelli Assessoria de Comunicação Ana Paula Bonifácio 55.21. 3723-8082 ana.bonifacio@inpresspni.com.br Hebe Veiga 55.21. 3723-8160 Ana Paula Bonifácio Porter Novelli ____________________________________________________ ____________________________________________ 22 - CONCERTO : Le Bulletin Web de l'OSM - Edition octobre 2010-2011De: reply-52@pacmail.em.marketinghq.net ____________________________________________ 7 CONCERTS DIRIGÉS PAR
KENT NAGANO En octobre, l'Orchestre
symphonique de Montréal souligne le 150e anniversaire de naissance de Gustav
Mahler,
avec un cycle de concerts consacré au célèbre compositeur autrichien. Kent Nagano dirigera pour l'occasion
trois symphonies de Mahler, soit la Première (dite « Titan »), la Cinquième et la Sixième. Lors de ces concerts, l'OSM accueillera des solistes
exceptionnels : les violonistes Anne-Sophie Mutter et Viviane Hagner ainsi que le pianiste Emanuel Ax. Lire la suite Kent Nagano reconduit au poste de directeur musical de l'Orchestre
symphonique de Montréal.C'est devant une foule de plusieurs milliers de personnes venues
assister au grand concert extérieur... Lire la suite L'OSM annonce la nouvelle série: LES CONCERTS OSM ÉCLATÉS / Prochain rendez-vous le 16 octobre prochain. Motivé par le désir
de présenter un concert dans un lieu et un contexte inusités, Kent Nagano a
imaginé la toute nouvelle série (...) des soirées surprenantes et novatrices...
Lire la suite L'OSM présente la nouvelle série LES GRANDS QUÉBÉCOIS! Cette série a été initiée la saison dernière avec les concerts
Michel Rivard symphonique et Starmania vs Notre-Dame de Paris. Par Les Grands
Québécois, l'OSM met en lumière le talent d'artistes... Lire la suite 60 000 $ pour Haïti C'est devant des milliers de
personnes que l'OSM a ouvert sa saison 2010-2011 en
offrant un spectacle extérieur gratuit au profit d'Haïti. Les bracelets vendus lors de cet évènement et au cours de l'été, ont
permis d'amasser la somme de 60 000 $ et a été remis à l'organisme Vilaj Vilaj. Sortez vos jeunes pour l'Halloween!
Ce spectacle, adressé à toute la famille, raconte le combat mené par une petite
fille pour sauver la musique. Avec des personnages hauts en couleur et un choix
musical tiré de l’oeuvre des plus grands compositeurs... Lire la suite Le 100e anniversaire de naissance de feu Pierre Béique L’OSM a souligné le 100e anniversaire de naissance de feu Pierre
Béique (7 septembre 1910 - 27 février 2003). Ayant occupé le poste de directeur
général de l’Orchestre de 1937 à 1970... Lire la suite OBTENEZ UN RABAIS DE 10% À L'ACHAT D'UN PIANO chez Piano Prestige. Pour profiter de
cet offre, veuillez présenter une version imprimée de ce bulletin. Cette offre
est valide jusqu’au 1er novembre.... Visitez leur site OFFRE SPÉCIALE DÉCOUVERTE ! ____________________________________________________ ____________________________________________ 23 - CONCERTO : Núcleo Música Nueva de Montevideo,____________________________________________ TEMPORADA DEL NÚCLEO MÚSICA NUEVA ____________________________________________________ ____________________________________________ 24 - CONCERTO : OSB - Programação NovembroDe: ana.bonifacio@inpresspni.com.br ____________________________________________ PROGRAMAÇÃO ORQUESTRA SINFÔNICA BRASILEIRA | NOVEMBRO 2010 6 de novembro,
sábado, 16h J. S. Bach |
Busoni Chacona em ré menor Mozart Concerto
para Piano nº 20 em ré menor, K 466 Guarnieri Prólogo e Fuga Rachmaninov Concerto para Piano nº 3 em ré
menor, Op. 30 Balcão Nobre e
Plateia: R$ 130 Balcão Simples:
R$ 60 Galeria: R$ 18 Ingressos à
venda nas bilheterias do Theatro Municipal e através da Ticketronic (3344-5500) Informações: 21
2505-8383| www.osb.com.br Destaques: Konstantin
Scherbakov, um dos maiores pianistas russos da atualidade, faz sua primeira
apresentação com a OSB Scherbakov é
chamado pela crítica internacional de “o Rachmaninov dos nossos dias” 07 de novembro,
domingo, 11h Carlos Gomes Fosca, Abertura Franck Sinfonia em ré menor R$ 1,00 Ingressos à
venda na bilheteria do Teatro no dia do espetáculo
Destaque: A OSB Jovem
interpreta a abertura da ópera Fosca, de Carlos Gomes 21 de novembro,
domingo, 11h Bizet Carmen - Suíte nº 1 Briten Guia Orquestral R$ 1,00 Ingressos à
venda na bilheteria do Teatro no dia do espetáculo Destaque: A OSB toca uma
das mais famosas composições de Edward Elgar: a marcha Pompa e Circunstância 24 de novembro, quarta-feira, 13h SERGHEI IURCIK,
viola EMILIA VALOVA, violoncelo
JORGE POSTEL, oboé
FELIPE
DESTÉFANO PEREZ, fagote Alexander Borodin Quarteto nº 2 em Ré maior Heitor
Villa-Lobos Trio Entrada franca.
Abertura do Auditório: 12h30 Destaque: Os
instrumentistas da OSB se reúnem para um concerto dedicado a composições para
grupos de câmara 27 de novembro,
sábado, 16h Schumann (200
anos de nascimento) Abertura,
Scherzo e Finale, Op. 52 Barber (100
anos de nascimento) Concerto
para Violino, Op. 14 Busoni Suíte
Turandot (estreia no Rio de Janeiro) Respighi Pinheiros
de Roma Balcão Nobre e
Plateia: R$ 130 Balcão Simples:
R$ 60 Galeria: R$ 18 Ingressos à
venda nas bilheterias do Theatro Municipal e através da Ticketronic (3344-5500) Destaque: Primeira
norte-americana e a mais jovem candidata a vencer o Concurso Internacional de
Leipzig, a violinista Rachel Barton Pine estreia no Brasil com a OSB. A Suíte
Turandot de Busoni, inspirada no mesmo argumento da célebre ópera de Puccini,
tem sua primeira audição no Rio de Janeiro. 28 de novembro,
domingo, 17h Schumann (200
anos de nascimento) Abertura,
Scherzo e Finale, Op. 52 Barber (100
anos de nascimento) Concerto
para Violino, Op. 14 Busoni Suíte
Turandot Respighi Pinheiros
de Roma Balcão
Mezanino: R$ 121 Plateia
Central: R$ 95 Plateia
Elevada: R$ 80 Balcão
Superior: R$ 44 Camarote
Superior: R$ 39 Vendas:
Ingresso Rápido (4003-1212), de segunda a sábado das 9h às 22h e domingos e
feriados das 9h às 19h | www.ingressorapido.com.br Informações: 11
3522-7100 | www.osb.com.br Destaque: Primeira
norte-americana e a mais jovem candidata a vencer o Concurso Internacional de
Leipzig, a violinista Rachel Barton Pine estreia Programação
sujeita a alteração Informações www.osb.com.br ; Tel.: Rio( 21) 2505-8383
São Paulo (11)3522-7100 Noticias somente em texto simples, sem
figuras nem tabelas, enviar a: Para receber/cancelar o recebimento do FWD cdmc cadastre-se pelo link: https://www.listas.unicamp.br/mailman/listinfo/cdmusica-l |
Made in Holland: Showcase Programme Early Music
