Institute of Arts

Institute of Arts

Inhabited Dialogues: Mapping Site-Specific Creative Processes
"The presence of music in inclusive art classrooms in elementary school I in the municipal network of Indaiatuba - SP: studies, observations and proposals"
"Campinas artistic production (Grupo Vanguarda) in the Modern Art Salons of São Paulo and in the Biennials from 1950 to 1970"
"Indigenous electronic art" post-digital interactions - multicultural poetics
"In demolition: notes on design, process, place" 
"Interpretive study of the work Janissary Music by Charles Wuorinen"
"Dance Experience": behind the scenes of an artistic-pedagogical practice
"Intermittence between frames: intertextuality and intersemiotic translation in Bill Viola's video art"
"Lua Cambará, a Brazilian haunting."
"Forró is changed": the performance of the guitar in the phonographic production of the 1970s and 1980s
"Pen and brush: my conversations with Bosch and Grassmann"
"Trilogy of the Stage" - self-representation, game and mise-em-scene in Eduardo Coutinho's cinema
"A computational model of automatic mixing for commercial music"
"An Investigation into Arrigo Barnabé's compositional processes on the album "Gigante Negão""
(en)canto: [trans]action
The '80s generation' in the collection of Dulce and João Carlos de Figueiredo Ferraz: The collector's role in the Brazilian artistic context
The (re)construction of the music band: repertoire and teaching
Art as an experience in early childhood education: Transformative paths in a curriculum inspired by the Reggio Emilia approach amid the Covid-19 pandemic
The open drums and their performances: mixing drums and percussion
Cleber Almeida's drums: resignification of northeastern musical genres for the context of Trio Curupira's music
The drums in the instrumental music of Hermeto Pascoal and Egberto Gismonti: studies on the performance of baião, maracatu and frevo
The Nossa Senhora do Pilar Chapel, in Taubaté: a historiographical review, on the arts, architecture and aesthetics of the monument
The city as a creative trigger: procedures, tactics and poetic resources adopted in a narrative and authorial construction about the city
The construction of the performance of The Complete Piano Etudes by Philip Glass
The construction of a musical theater work: the creative process of 47 - The Musical
The interpretative construction of the IV Ciclo Nordestino opus 43 by Marlos Nobre
Contemplation of the natural world through audiovisual: realistic film theory and contemporary American experimental cinema
Color in the Art textbook
The symbolic dimension in the creative path: towards a poetics of re-enchantment of the world
The dynamics of studio music production: affordances and emerging properties of the process
The discipline of supervised internship and artistic practice: contributions to the training of Visual Arts teachers at the Faculty of Arts of Paraná (2007-2015)
The aesthetics of the margin in ôrí in the light of black thought
The eternal permanence
The evolution of scenarios for manipulating dolls in TV Cultura's children's programs
The formation of documentary sound: from silent cinema to the emergence of the self-director
Chick Fowle's cinematographic photography: from the GPO Film Unit to The Promise Payer
The language of dance: study and translation
In the light of Eisenstein: the production at the Teatro de Luz&Sombra
A Maniera Italiana di Canto: vocal practice from the beginning of the seicento
A Moreninha, by Ersnt Mahle: historical contextualization, critical edition and performance
The instrumental music of candomblé nagô-ketu and its interpretative possibilities using the drums
Obesity in the 21st century lyrical scene
Edino Krieger's violin work: style, interpretation, idiomaticism and editing
The word of body dramaturgy
The peculiar listening of the virtual: considerations on sound perception in video games
The perception and specialization of electroacoustic music in cinema, in 5.1 surround: a case study
The adaptive and improvisatory musical performance of Silent Cinema from the multimodal perspective of the Moodscope Laboratory
The guitar performance in Agustín Barrios: interpretative study on La Catedral
Authorial research in visual arts as a field of tension: tensions in the relationships between object, architectural space and participant in contemporary artistic installations
The poetics of videodance: manifesto creations in contemporary times
The poetics of Carlos Alberto Soffredini: a rhapsodic mess
Poetics in animated cinema
Contemporary artistic practice and the construction of memories of the military dictatorship: the use of evidence in rethinking history
Presence from the perspective of artists from the scene
The question of the figural in film theory
Claudio Santoro's Symphony No. 4 (of Peace) and Brazilian socialist realism: interpretative (im)possibilities
The Alterstil Technique: An Investigation of Rembrandt Van Rijn's Materials and Rustic Manner of Oil Painting
The solo tuba in the work of Almeida Prado: interpretative proposals for the Sonata for Piano and Tuba, Omulú
Voice over in João Moreira Salles' documentary: a study between "China - O Império do Centro" and "Santiago"
Vocal actances: towards a gestural cartography of contemporary Brazilian popular singing
Musical agency and body: Music in the daily lives of capoeiristas from Campinas
Water, pulp and matter: craft paper making as the development of a poetics
Scope, Reminiscence and transmutation: structures of a creative process
Monumental amnesia_dispute and emergence in the culture of forgetfulness
Imagined anatomy: imagination in the construction of the body in the performing arts
Andarina: for a poetic journey through Sertão dos Gerais
Anxiety in musical performance: a comparison between classical music and popular music students at the State University of Campinas
Antinomies I: the lost score by Rogério Duprat
To those I don't know: the unknown dead from the perspective of visual arts
Appreciating crying: dialogical relationships and active listening in teaching at the Tatuí Conservatory
Approaches to the study of contemporary Colombian female dramaturgy and its relationship with violence: Tania Cárdenas and Ana María Vellejo
Getting closer to you, a path to female empowerment through dance experience using aspects of the dancer-researcher-performer method
Ara Sonoro: exu as the maestro of life
Sands of time: a confidence of the creative and poetic process with photographic material in the cyanotype
Art and psychic self-regulation: an investigation of the creative process in the light of Analytical Psychology
The 22 songs in Portuguese from José Amat's album Les Nuits Brésiliennes - an interpretative vision
The adaptations that occur during the process of learning intonation on the transverse flute
The basses in choro and their use in electric and acoustic double basses
Carlos Gomes' heroines: interpretative process based on Selftone
Mapiko's masks: between identities and alterities
Sacred works of Christian origin for mixed choir a cappella by Carlos Alberto Pinto Fonseca: critical edition and interpretative aspects
The paintings of Kinya Ikoma and Shozo Mishima: permanence of aspects of traditional Japanese aesthetics
Clovis Graciano's paintings and murals in Brazilian modern art and the interrelationships between Brazilian and Mexican artists from the 1920s to 1960s
The Six Suitetes de Clavessin by Charlhes Dieupart: comparative study between editions and study of ornamentation of French baroque music on the recorder
The rhetorical virtues in Le istitutioni harmoniche (1558) by Gioseffo Zarlino
The voices of São Paulo samba: musicological analysis of Geraldo Filme’s songs (1980)
Technical and poetic aspects of mixed music for interactive systems today: an analytical and creative investigation
Atacama: a traveling artist's perspective
Art and technology activities for elementary school students: contributions to aesthetic fluency and technological fluency
Audio-gestures: poetics of listening to voices in dance processes
Autonomy and distinction in the Brazilian music industry in the 1950s and 1960s: The case of the record labels Festa, Elenco and Forma
Inside Out Visible - Creation process, corporeal mimesis and film piece
Bachelor's degree in violin and preparation for teaching the instrument: a proposal for the inclusion of pedagogical training
Music bands: an analysis of music education practices in non-formal contexts
Are you going to join the military? the digital scene as a guerrilla field
Poetic paths in the scene: interlocutions with the erotic works of Péricles Prade and Teresinha Soares
Singing resistance: a study on Chavela Vargas’ vocal gesture
Brazilian popular singing and technique: the pedagogical use of the repertoire in improving the voice
Carmen Miranda: between swings, syncopation, vocality and identities
Full of Fingers: unveiling the composer Guinga
Travel thesis cycle
Fiction and history cinema: an exercise in film analysis based on the first three films by Martin Scorcese (1967 - 1973)
Brazilian black cinema: from identities to fables
Clown: deform, rite of initiation and passage
Composting as a performative practice: immersive processes in dance and permaculture
Comprovisation: between composition and improvisation in the emergence of contemporary musical practices
Analytical considerations about Ebony Concerto and Igor: a comparative approach
Contingencies: material transience in nature, life and art
Contravozes: creative process of an audiovisual project placed in parentheses in times of social isolation
Differentiated body: construction of other poetics
Body and environment: from vibrational perception to scenic creation. Study on the clash of forces at urban residential demolition sites
Body and motherhood: transformation and gender in dance creation
Body listens: performance of a written person> listening, writing and the relationship between sensation and reality in art
Body, narrative and identity through dance: analysis of experiences as a performer/creator
Body-cognition and performative theater with aphasic performers: creative procedures, training and pedagogy in the performing arts
Dramaturgical creation: a journey from procedure to scene
Collaborative creativity and study strategies in the work "Construction with guitar player" by Harrison Birtwistle
CRUST: between surface and place
From the "Village" to the Quai Branly Museum: the "Tupinambá" braid in the contemporary world
From the Amazon to Bali: a journey between myths, traditions and intercultural scenic creations in Balinese dance-dramas
From material color to diegetic color: thinking about color in the direction of audiovisual art
Umbilical cord dances: knowledge, memories and writing at the crossroads of time
Argentine dances by Alberto Ginastera: an interpretative approach
From the margins to the center and vice versa: dance history and curation
From memories of meetings to procedures and images: dismantling letters and screams to save the world
Of clowns and old people: dramatic voices in the asylum context
From ruined rammed earth to a work of art: the expographic vocation of restored built heritage analyzed through three works in the Morumbi Chapel
Demarcations on the horizon: poetic constructions based on painting
After the match: understandings about the essay voice-over in Elena (Petra Costa, 2012) and Coração de Cachorro (Laurie Anderson, 2015)
Derivations of the gaze: visualities, cinematography and ethnic-racial relations
(auto)poetic descartography: link with Kentridge, between the Transportive (between place) and the Transfigurative
Drawings for play: processes and creation
Unveiling bodies, revealing spaces: an Italian-Brazilian immersive experience in the field of video performance and poetic accessibility in exhibition spaces and their surroundings
Apprentice diary: in search of expressiveness of words in the scene
Digitizing an art gallery – creation and evaluation process of the GAIA Virtual platform
Relational devices in the Stanislavski system - openings to experience
Dystopia & Babado: speculative science fiction in contemporary Brazilian queer cinema
Musical diversity in the music degree course at Unicamp: the relationship between student profiles and entry and retention mechanisms
Autobiographical documentary about women: technologies, gestures and aesthetics of resistance
Dialogical ethics documentary: a study on the explanation of the encounter between documentary filmmakers and social actors as a key to social representation
Domenico Scarlatti at the piano: interpretative study and implications for authenticity
Cultural domination, inheritance and inequalities in music teaching
Dramaturgy in an expanded field: Lola Arias’ creative process
Virtual dramaturgy: the role of the camera and the editing process in the expressiveness of video dance
Audio editing: specific techniques in classical music
Invisible and imperceptible visual effects: from the emergence of trickery to digital cinema
Ephemera - visual experiences with plant pigments
Game elements in the context of improvised music and open work
In slow motion: a transcreation
In pink line: investigations of the sick body in autobiography
While no one watches: Facing gender violence through the eyes of four playwrights
Teaching music at school: a reflection on the music curriculum in the initial years of basic education in Itupeva/SP
Between image, practice and music: analyzing the creative processes of A Dream Within A Dream, by Tatiana Catanzaro, and Furnas 1, by Felipe de Almeida Ribeiro
Between bombs and words: resistance in the poetics of Cia. Nova Dança 4
Between pencils and bytes: MIDI technology and the redefinition of cinematic musical composition
Between death, life, silences and sounds on the outskirts of São Luís (MA): Boi da Floresta strategies during the COVID-19 pandemic
Between Niskala and Sekala: the art of the Topeng actor
Between re-enchantment, subversion and criticism: the aesthetics of the domestic in the production of women artists in South America from 1960 to the present day
Between Wheels and Sessions: considerations on the field of intersectional music
Between Wheels and Sessions: considerations on the field of intersectional music
Between trails in the Sertão do Cariri: the meeting between the catimbozeiro and the pilgrim of Padre Cícero
Enter | images: hybrid dialogues
Between: layers of absence
Wanderings: immersive production and artistic creation practices
Spaces of memories: a look at the marks of inhabited places
Museum stations: study on the requalification of stations in the interior of the state of São Paulo
aesthetics and music education in higher education: revealing and expressive approaches in teacher training
Musical style and identity: a study based on the sui generis performance of drummer Nenê
Surveillance representation strategies in contemporary documentary cinema
Interpretive strategies for improvisation in three contemporary works for solo guitar
Compositional strategies aimed at using Machine Listening and Music Information Retrieval in the context of live-electronics
Dramaturgical creation studio: An approach to textual dramaturgy from the image-movement perspective (& vice versa)
Analytical and interpretative study of the work "Dialogue for Guitar and Strings" by Ernst Mahle
Study of the music of sounds with the support of computational models
Study of solo piano performances recorded by Egberto Gismonti between 1973-1979 from an audiotactile perspective
Study of pianistic and pedagogical aspects in the six minuscules by César Guerra-Peixe
Study of memory mechanisms in the narratives of short films by Cláudio Marques and Marília Hughes
Interpretive study of the work A Dança do Dibuk (1993), by Eduardo Seincman: production of the work in duo
Interpretive study and adaptations for drums of Boi da Baixada, Boi de Guimarães, Boi da Ilha and Boi de Cururupu
Monkey studies: inventing artistic processes based on the integration of somatics, ecology and performance
I-Director: the first person of women in the documentary encounter and the spatial dimension
Exercises to remember: performance as a method for developing subjectivity
Book fairs for children as meeting spaces: repercussions on the creative process of Brazilian illustrators
Fissures in everyday life: poetic provocations for anesthetized bodies
Forest in the ruins of the city: creating dances between plants, bodies and spaces
Fosca and Maria Tudor: orchestration and vocality in the transition period of Italian opera
Gender and cultural form in the contemporary western: an analysis of No Country for Old Men
Authorial vocal gesture: a case study of the Rio singer Ilessi
Electric guitar in Brazilian popular song: a study on Toninho Horta's performance in four João Bosco albums
Helena Ignez: experimental performance at Belair Filmes
Homo imago: image as survival and second body
Short-circuit humor: irony and the effects of ridicule in contemporary Brazilian documentary
Identity and performance: female visual representation in World Of Warcraft
II Toko-Dori: traditional Japanese music and Debussy
Commercial images from Cia Litográfica Araguaia: graphic memory through commercial lithographic matrices in the interior of São Paulo
Sayable images, visible words: dramaturgy as action in the establishment of public spheres
Images to tear adults - death and erotic play by Ilka Schönbein Images to tear adults - death and erotic play by Ilka Schönbein
Imaginatio: The Mythology and Alchemy of Demeter & Core and the Eleusinian Mysteries
Free Improvisation: an ethnographic study on music that does not repeat itself
Improvisation for double bass - Study proposals prepared based on the "Bass Solo: Secrets of improvisation" method by Nico Assumpção
Inferno: Dante's imaginary architecture
Everyday concerns. Mythopoetics in notebooks, artist’s book and developments
Instauration and alchemy: the body in transmutation in Tunga’s works
Intersection between voice and masculinities in the performing arts
Jallalla São Paulo: interculturality in indigenous Bolivian Andean music
Jardim do amor e da paxão for baritone and piano by José Antônio de Almeida Prado: analysis and performance
Musical games and rhythmic reading learning processes
Jóia e Tudo Coisa: Caetano Veloso's experimental songs in the 1970s
Koto no Michi: traditional Japanese music by Seiha Ikuta-ryū
LARCI (Children's Choral Conducting Laboratory)
Remembering to forget to remember: a study on self-representation in Visual Arts
Light Art: light as matter in artistic construction
Book on the way visual poetic essay
Once again, your birthday: The poetics of oblivion
Hands that open paths of the body: an experience of the dancer - researcher - interpreter (BPI) BPI method with elderly people
Maps & Labyrinths: landscapes in the window
Marcajes y Rasgueos: elements of interaction between music and dance in flamenco in Brazil
Marco do Valle: work and multiple persona
Masks: allegorical matrix in the work of Lasar Segall
Beloved motherland: a myth-performative re(creation) of Brazilian women
Lost memories of urban art: considerations on the decontextualization of the monument to Ramos de Azevedo in São Paulo
Mikhail Chekhov - a theatrical pedagogy of imagination
Mozart's coronation mass (KV 317): interpretative references to the construction of his performance
Monument to the Flags: a testament work?
Mosaic about the social circus in Brazil: projects, developments in the circus scene and the birth of Circo Teatro Palombar
Music and dance: the dialogue of times in choreography now, by Cassi de Abranches
Mutuality and mutabilities: mode of address in dance and circus
Nara Leão: popular song, performance and criticism in the 60s
Narratives about the performance of vocal repertoire and the interpretative process of Teu Nome, by Almeida Prado, from the point of view of the collaborating pianist
In the body: path, practice and cultivation of dance
In the middle of the way, a poetic action, a flower and a stone theoretical-practical investigation of the dialogues between Bertolt Brecht's social gestus and Carlos Drummond de Andrade's poems
In the beginning is the verb: thinking about the word in the actor's work based on Stanislavski's System
In breaking the pelvis: a peripheral corporeality of ginga
Northeastern and universal: melodic modalism and non-functional harmony in two leadsheet notebooks by Hermeto Pascoal
New funk spaces: lesbian parties in São Paulo
The Affaire Cavalcanti: A film producer in Brazil in the 1950s
The contemporary artist as a craftsman - the presence of manual craftsmanship in art
The artist and the other: dialogue and collaboration in the creative process
The artist is absent: appearance and trace in dance improvisation
The attractive strangeness in Cindy Sherman's simulacra and provocations
Hamilton de Holanda's contemporary mandolin: technical resources for the solo 10-string mandolin
Baque do Acre: the group Uirapuru and the music of the Acre rubber plantations
The embroidery of female presences in Paraguayan theater told to my son
Brazil by Heraldo do Monte on the album “Brazilian Guitar”
The glow of the night in kerosene: Tião Carvalho's ox in a proposal to build language for the double bass
Rabbit Hole - Matrioskados paths in search of the actor's vocal synesthesia
Singing in acting: a possible way of working with singing for the actor in training through the principles of physical actions
The concerto for viola and orchestra by Marco Padilha: technical-interpretive study
The body as destiny: developments in Francesca Woodman’s photography
The body in the art of Contemporary Taiko
The observing body in a compositional state: acts of creation by the artist
The challenge to forgetting the other in contemporary art: Oscar Muñoz, Rosângela Rennó and Lais Myrrha
Violin technical-musical development: three works by composer Oswaldo Franconi
Almeida Prado's musical discourse in the work Metalosfera: an interpretative analysis
The impact of music education on the academic skills of students with low academic performance influenced by variation in mood states
The invoked place: Theatricalities and spaces of memory of sociopolitical violence in Latin America
Christian Petzold's phantom melodrama
The cinema exhibition market in Campinas
The music of the Atajo de Negritos of the Ballumbrosio family from El Carmen: practices, rehearsals and pilgrimages
The Red Nose and the Street – a permission to look: Procedures for deepening and creating the language of clowning in the relationship with urban space
Joan Fontcuberta's complex look at dissimulating the truth in photography
The view from [the] mountains
The clown as an opposite being: a trajectory in the making
The serious tambourine: seven essays on a transformation in the language of the Brazilian tambourine
The first trumpet of the Mantiqueira band: technical and interpretative study
The creative process of Arismar do Espírito Santo: investigation into the compositional approach of a multi-instrumentalist
Facebunda's creative process: a "provisional" plot
What I say confined: the body invested with libido in the encounter with the poetics of Waly Salomão
What do you want for your tea? Strategies for creating and composing scenic fights
The Requiem of 1816 (CPM 185) by José Maurício Nunes Garcia and its reduction to organ or Harmonium by Alberto Nepomuceno: an analytical description
The reverse of the scene: between views of the audiovisual theatrical record
Grotesque laughter, Commedia Dell'Arte and Clown: experience and learning at Barracão Teatro
The meaning of the cut and its denial: reflections on editing in contemporary Brazilian documentary
Sex against dogmas: in the sympathy of JMB's gauge
Amateur theater from two P(s): whores and prisoners
Time has a thickness of kept secret
Actoral work with the text by Cia. Ofit: creation processes in the montages "Pedra Bruta: rehearsal to collect the provisional of things" and Três comma four degrees on the Richter scale"
The joyful tragic and the affirmation of life in the clown’s poetics: exercises and clown compositions
The bass trombone in higher education: historical, didactic and performative perspectives
The boy’s musical universe: a perspective through choro and the guitar
The use of montage in the Pernambuco documentary: a study on the films Pacific and Doméstica
The use of duets as a pedagogical resource in student training: proposal for the elaboration of second violin parts with equivalent technical-musical level in Selected Studies by Rodolphe Kreutzer
The use of idiomatic resources in the transcription for theorba of two sarabands for cello by Johann Sebastian Bach
Violinist Milton Nunes and his role as an interpreter, teacher and composer: an investigation of the individual and his context
Looking inside and outside: a cartography of the human body through engraving
Opera Demetrio to the "Portuguese taste": modern edition with music by David Perez, metastasian text translated into Portuguese and insertion of graces
Ópera Tiradentes by Manoel Joaquim de Macedo Junior (1845 – 1925): historical review, analysis and editing of the score
The 12 poems of Negra: cycle of songs for voice and piano by Camargo Guarnieri and Mário de Andrade
The judging criteria and the judging of the criteria: the competition in the performance of the samba school drums of the special group in Rio de Janeiro
The surrealist elements present in the cinema of Germaine Dulac and Maya Deren
The men with the cameras: investigation of photography issues guided by an artistic practice with pinhole cameras carried out by recyclable material collectors
Brazilian MACs and the musealization of Contemporary Art: a discussion on documenting performances and installations
The drums that vibrate within us: the taiko community of practice in the city of Atibaia (SP)
Indoor landscapes in video art and photoperformance
Resignified landscapes: technical images and the (de)constructions of the gaze in the poetics of Cássio Vasconcellos, Mario Cravo Neto and Eustáquio Neves
Game soundscapes and their cognitive aspects
To scream the sky: singing as feminine disobedience in men's culture
Passages about bodies in a state of exception: dancing maps
Patrimonialization of clothing: approaches with some examples of the MASP textile artistic collection
Small insurrections - memories: production in visual arts in political prisons in São Paulo between 1969 and 1979
Musical performance on a platform: ways to make a musical with vivacity
Cassandric performances: cultivating artist and works through feminisms as self-care
Group piano for music educators: how to develop functional piano skills
Master management plan as an instrument for cultural artistic preservation - case study of the modernist building of the national ensemble in São Paulo
Pneuma: a graphic essay on life and death
Poetics of the goddess Durga/Kali in Kathak art and in the contemporary scene
Acting poetics: scenic experiences at Viewpoints
Poetics of access to the scene: theater and visually impaired artists
Poetics of the fragmented body: experiences of the body in the expanded scene
Tensive poetics: tension relations between the body and the context of visual arts
Considerations, strategies and suggestions for distance trumpet teaching in Brazilian Universities
Post-dramaturgy
Instrumental practice as artistic investigation applied to works by Flausino Valle (1894-1954): the process and an interpretation
Music creation practices in collective teaching environments applying heuristic processes: a substantive theory
Principles that enhance vocality: moving mask
Procedures for musical re-elaboration of Edmundo Villani-Côrtes’ “Série Brasileira” for guitar and double bass
Transcription procedures for guitar and voice of Claudio Santoro's Love Songs
Creative process of Tree in the Desert: acrobatics in dramaturgy
Teaching/learning processes in music education for visually impaired students: pedagogical alternatives with technological resources based on the Tpack methodology
Microtemporal processes of sound creation, perception and form modulation: an analytical and compositional approach
Depth of time: expanding the visual and temporal repertoire of the urban landscape, using solargraphs and artisanal pinhole cameras
Qualification program in dance arts: case study of training/creation of dance groups in the interior of the State of São Paulo
Artistic project as an exhibition project: body and object in continuous action
Methodological propositions for developing musical vocabulary for improvisation in Brazilian instrumental popular music with a focus on the trumpet
Possible proposals for independent cinema in Brazil (1952-2001)
Drive of life and drive of death in Today is Mary's Day
What line guides this cry? Proposals for inflections and articulations in the melodies of choros, polkas, schottischs, maxixes and choros-sambados – based on their rhythmic structure
What is your place?
When the image writes - reflections on the illustrated book
When encountering the past reveals the future: from the profile to the professional performance of graduates of the bachelor's degree in Music/Instrument/Violin, Viola, Cello and Double bass from the Unicamp Arts Institute
Questions about organizing a collection of artists' books. The creation of the Artist's Books Collection of the Institute of Arts and the Unicamp Special Collections and Rare Works Library
RUA Urban Clothing Authorials
Interpretive resources used by Chiquinho do Acordeon and reflections on his performance from 1950 to 1980
Remaking the interiors: backlands and counterculture in Gilberto Gil
Relationships and strategies of distance learning languages ​​with learning musical expressiveness on jazz guitar
Relationships between everyday musical practice and the musical experiences already experienced by free guitar course students
Relationships between editing and sound: creative processes and modes of production in Brazilian cinema
Flashing at the moment of danger: photography and phantasmatics of Gay Liberation (USA: 1970-1980)
Revisiting the body: a study of the interfaces between breathing, interpretation and creation in dance
Revoada: the construction of enchantment based on reflection on staged photography
Rio Pinheiros 2.0 – Drawing, landscape and engraving, a digital alternative
Opening rhythm: abstract developments by Mondrian, Calder and Oiticica
Rhythm, pigment, matter and expression
Rogério Guimarães: the Brazilian guitar on record labels, on the radio and on stages (1926-1968)
Ruin and rest: painting, gilding and oxidation
Ruins of the visible: from image materialities to data visualization
Coded ruptures: A critical analysis of glitch art
Ruris: art and the technology of landscape
Kaiowa body knowledge - place of murmur and resistance
SECOND LIFE Vernacular photography in contemporary art
Being-Skin-Environment: affective topographies and creation processes in face-to-face arts
SERPENTIN@ – about serpentine dances: a process of creating a creation in process
About rhythm and metrics: discussion of concepts and applications from mediatized popular music
I am that woman in the left corner of the painting: the history of anarchist women as an incarnate narrative
Written surfaces: operating textualities between Clarice Lispector and the Centro de Convivência Cultural de Campinas
Sururu de Capote: Sizão Machado's electric bass in Djavan's sambas
Afrobaião drums: musical dancing bodies in formation
So far and so distant: the presence of Antônio Carlos Gomes in the belle époque of Belém do Pará
Theater of Amazonian Promises scenic study of Amazonian theatricality through the Theater of Promises
Performative theater with aphasic performers: a study of scenic performativity in the context of aphasia and the development of creative procedures and pedagogies in the performing arts
Teia, 20 years of history
Screens-Windows - the zone as a place of the (im)possible
Television in debate: television criticism in the serials (FSP) 1977-1989
Is there a lot of me in this or is there a lot of this in me? Reflections on what performance in vocal music can be
Terreiros de Axé in the cinema of Nelson Pereira dos Santos: O amuleto de Ogun, Tenda dos Milagres, Jubiabá
Tetragrammaton VI for solo vibraphone by Roberto Victorio: an interpretative study
Theru-K-Koothu: A Look at the Popular Theater Cultures of South India
The whole dream is real. Pornography, humanoids and dolls in Eduardo Berliner’s painting: a chronotopic analysis
Transits, crossings and trajectories: Bharatanatyam, Interculturality and Creation in Dance
Trieiros: discontinuous and provisional 0 a cartography of emergencies in search of dignity
Your skin, your words: the archive of family photographs in an intermedial vision
It all starts when it explodes: experiences of silence in movement
A missing body: traces of action from a curatorial process
A cut in the external: knowledge of an autoimmune body
A possible dialogue between Hip Hop Culture and Somatic Education: the creation of supporting procedures for Breaking, Hip Hop Dance and Krump dance artists
An interdisciplinary study on sound communication in narrative games
A study on the acquisition and processing of audio from adult, mixed, polyphonic and amateur choirs in the city of São Paulo and interior
An analysis of the construction of artistic photography portfolios
A story about time - the process of creating the illustrated book Madalena
A proposal for interaction between the trumpeter and the composer in the works “Signo Sopro IX” (Mímesis) by Marcus Siqueira and “Matiz VIII” by Rodrigo Lima
A fragmented reality: poetics of fragmentation
V(i)shes of memories: dances woven in the favela of Real Parque-SP
Life and death on the poetic board: Tunga in Tânatos
Videodance at school: Creation processes between children and an artist-teacher in elementary school I
Brazilian solo violin: investigative survey of national production in the 20th and 21st centuries
Imperial violins: Brazilian lutheria in the 19th century
Guitarists with focal dystonia: stories, study strategies and performance perspectives
Voice and meaning in the "message network" of Brazilian popular song: Semiotic Analysis of vocal behavior in critical song production in the 1970s
Voice, guitar and meaning: a discussion based on analysis of compositions and interpretations of Brazilian guitarist singers
Yoga and singing voice: application of Yoga techniques
Zapata in Almería: Italian revolutionary westerns
​​​​​​​"Body marks: a photo essay"
​​​​​​​"The sacred manifested in the scene: composition of internal and external spaces conducive to hierophany."
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